Ottawa's Festival of Ideas Since 1997

Scottish Crime Night

Scottish Crime Night at the Ottawa International Writers Festival kicked off in style as the esteemed authors, Ian Rankin, Denise Mina, and Stuart Macbride, were piped in to the fittingly Scottish Knox Presbyterian Church.


A rainy October evening should have been the perfect backdrop to an evening of crime, examining the darker side to human existence, but inside the mood was jovial; lightened by the foreign Scottish accents and the delectable sense of humour shared by all three of the evening’s authors. Host Alan Neal did a remarkable job of connecting the three stories together, often pulling a quote from one of the books to ask a question of all three. Responses from the writers were intelligent, thoughtful, and often quite funny, keeping the packed house laughing through a rather lengthy discussion that journeyed through the author’s books to the current financial situation to the tendency of the world to constantly find new threats to fear. By the end of the evening, I had determined that I needed to read the books myself.


The books ended up being harder to acquire than I had hoped they would, but it was a worthwhile experience to do so.

Denise Mina’s The End of Wasp Season wove together the stories of many people, from the boy who committed the murder to the leading detective on the case - Alex Morrow, to an old friend of Alex’s who ended up being quite close to the victim. The layers upon layers of sub-plot going on around the main case enriched the story and added an extra layer of depth to the characters. It is this depth of character that makes the reader want to keep reading, to find out what happens to each of them. Mina commented that crime writing is a great way to play out the continuous struggles between our demons and our better natures. This is precisely what she has done, and remarkably well, in her book. (See for more plot details or to read the first chapter for free.)


Stuart MacBride also plays out this struggle in Shatter the Bones, but in a very different way. MacBride writes a much more suspenseful and action packed double-mystery with two simultaneous investigations being handled by his Grampian Police Force. First there is the abduction of two of Scotland’s most famous musicians, contestants on Britain’s Next Big Star; second, there is a drug raid and the drug underworld. The story takes a turn for the personal, affecting the home life of the leading detective on the case. MacBride’s novel was the most Scottish in language of the three, but that certainly did not detract from the twisted and ever-evolving plot. It is MacBride’s ability to twist the plot around that is his greatest gift as a writer. Shatter the Bones is the seventh book in the series, but I had no difficulty picking it up and reading it without knowledge of the others. (See for more details about this book or others by Stuart MacBride.)


Ian Rankin’s The Impossible Dead is also based on a returning character, but again it was quite easy to pick up and jump right in. Rankin’s central characters here are members of Complaints, the police officers who investigate the impropriety of other officers, the ultimate way of playing out the conflict between the inner demons and better natures of human beings. In this case, a standard investigation takes a turn to the past, to a case that was never properly investigated in the first place. The book twists and turns jumping back and forth between past and present. What is remarkable about Rankin’s book is the smooth and natural way in which he manages to weave the many cases together. (See for more details about the book.)


What strikes me about all three novels are the detectives. Alex Morrow, Logan McRae, and Malcolm Fox are all excellent police officers, dedicated to their jobs, working tirelessly and often without the requisite breaks - risking their lives even - in order to bring justice and solve their cases. Each displays valour, intelligence, quick wits, bravery, and determination, having successful careers and moving up the ranks. Each does an excellent job of solving the case. Yet at the same time, each makes moves that are not standard procedure, that could cost them the case. Each displays a degree of malice, occasionally making a move that is selfish, underhanded, or that may seem shady in one way or another. Despite these human flaws, each character is easy to like, which is probably why they have maintained their staying power with the authors and readers. If part of the joy and beauty of crime fiction is to play out the inner conflict between each person’s darker side and desire to do the right thing and be a hero, these three authors are artists, displaying a remarkable talent for just that.


I would be remiss if I failed to mention the financial aspect to these crime novels. Alan Neal, in his interview with the authors, points out that each contains an element of the financial world, and asked how the global “economic crisis” has an influence on their writing. For Denise Mina, one of the dead is a major financial player who was part of the problem of the collapse. It is interesting that this character also had two families and a mistress and was smuggling money around. In MacBride’s book, the financial world comes out in the current need for celebrity status, pulling in the new reality show culture. For Fox, his criminal is a very successful businessman, high up in financial circles. Rankin goes so far as to point out that the attributes needed to be successful in business are the same as those needed to succeed in criminal enterprise: “I saw something on the internet during a trawl: the qualities you need to succeed in business are the same ones cold-blooded killers have. No empathy, no emotion … whatever it takes to get the result you want” (pg 353). In the discussion with the authors, they talked about how crime writing often gives people a way to deal with their fears in the world in a safe way. With the current economic situation, what many people fear is for their jobs and having enough money. In these novels, high finance and cold-blooded criminals are linked and people can subconsciously process their fears for both at the same time.

Regardless of whether the authors intended to play out people’s inner natures and help others to process their fears or not, all three of these Scottish authors have written interesting, suspenseful crime novels that keep the reader engaged to the very end.