The best thing about our pre-festival events, at least for me, is that there's more time to get to know the visiting authors. Often during the Festival there's just too much going on to spend much quality time with the Writers. So it was really wonderful having Etgar Keret here yesterday and having a chance to spend time with him throughout the day. We've been trying to get Etgar to Ottawa for at least two years now, and the timing finally worked out. (Huge thanks to the Embassy of Israel for getting him here!)
All I can say is: it was worth the wait.
The event itself was wonderful. Adrian Harewood brought his A game to the on-stage conversation, moving effortlessly between the personal and the political and Etgar was generous and open in his answers. His reading, like his writing, was unforgettable. It was the kind of night that reminds me why we do this.
I was struck especially with what he had to say about the dangers of writing with an agenda. Of writing to achieve something tangible, some political or social change or to convince people of some cause or truth. Over on rob mclennan's blog, where he participated in rob's wonderful 12 or 20 Questions series, he wrote: "When you write you celebrate your individuality . Every person writes from a different place and for a different purpose. So it is strange for me to speak about some rigid writer's "role". If anything, a writer's role is to share a part of his mind and soul with the reader, and minds and souls come in all different shapes and colors."
And that came through vividly during his event and during our conversations earlier in the day. By writing from such a personal and honest place, he has shared more with us about the politics and the larger culture of Israel than he could have by setting out with that goal in mind. The personal is the only place we can find the universal.
Interestingly that same theme was echoed by Mike Carey in his 12 or 20 questions interview. It would be hard to find two more different writers than Etgar and Mike. But even so, there are some fundamental correlations between their approaches to writing. Both (and this is especially evident in Mike's current creator-owned series The Unwritten ) are drawn to the fundamental nature of stories as living things. Stories as living worlds where readers are connected to one another through time and space via the author's imagination.
Mike says: "I think stories tell us what we are, both as individuals and as a culture. We use stories as buoys marking little bits of reality or little bits of ourselves. We use them to orient ourselves.... Whatever’s in people’s minds, whatever’s being seen or talked about, all the acknowledged and unacknowledged obsessions of the moment, will make it into fictions and surface there in different forms. Fiction is a talking cure. It’s where we lay all our sick shit out on the table."
From comic books, to fantasy, from historical epics to surreal microfiction - whatever the genre or subject or theme - there's no better way to explore the world than through the singular imagination of a gifted author. I'm hugely grateful to Etgar Keret for showing us, once again, how important and electrifying great writing can be.
Plus - Etgar, whose son is also five, introduced Aidan to the Inspector Gadget iPhone game. And anyone who brings that much joy is welcome back to the Festival anytime.